Friday, March 7, 2008

Arts & Crafts

120305768_a8f717334b_m Arts and Crafts together create a potential force that enables artists to give material form to their innate refined qualities. It signifies the aesthetic sense, creative power and artistic quality of an artist is manifested. Arts and Crafts also have a great cultural and historical significance. Under the veneer of colors and craftsmanship can be found the rich history, culture, lifestyle and tradition of the bygone eras.

Both words have great value when they get implemented in practical manner. The young artists and craftsmen of today can learn a lot and innovate new ideas from the arts and crafts of the early days.

The Arts and Crafts Movement that created furor in the later half of the nineteenth century in Europe. It was a kind of social movement that emerged to point out the impact of industrialization on the society. The romanticism and the creative aspects of human beings were in decline and there was a clear shift from handmade crafts to the machine made ones.

It is difficult to classify the various streams and forms of Arts & Crafts . The variations of arts may include Decorative Arts, Drawings, Paintings, Sculpture, Photography and Videography, Dance , Singing etc. Ethnic as well as modern paintings and sculptures of brass, bronze and wood serve as great marvels for interior decorations. Crafts made from several resources like glass, wood, paper, plant products, metal, ceramics, porcelain, leather, fabrics and plastics can be used as indoor and outdoor decors or as gifts to the loved ones.

The practice of Arts and Crafts in India began from the Indus Valley Civilization and continues in the modern times. Fascinating Terracotta Crafts, Potteries, Textile Crafts and Metal Wares were the hallmarks of arts and crafts of the Indus era. The Mauryan era is famous for its Stone Sculptures and Jewelry .The handcrafted cave engravings of the Ajanta and Ellora capture Gupta arts in its finest form. Textile Crafts, Ornate Jewelries, Miniature Paintings and Sculptures characterize the Mughal era.

To get more insight on Indian arts & Crafts visit http://www.india-crafts.com/

Thursday, February 28, 2008

Ancient Greek Pottery And Its Evolution

2065057_b07bb2aa99_m Pottery can be used as a classical support for understanding the antique Greek culture and civilization. The graphic illustrations skillfully fashioned on fancy pottery, reflect the manifold aspects of Greek life. The Greek empire from Stone Age to Hellenistic era has undergone quite a lot of changes. These alterations can be examined in terms of seven different eras through which the Greek society has passed. We will discuss in the following paragraphs how the Greek art of manufacturing pottery also underwent changes with the change in the different historical periods.

1 Greek Pottery In The Stone Age-

In the early Neolithic period Greek pottery was unadorned. In the mid Neolithic period people started decorating pottery with red and white geometric patterns. The newly formed and decorated potteries were known as Sesklo wares. Then the Dimni people of Greece in the late Neolithic period made special kinds of pottery which were black or cream in color.

2. Greek Pottery in the Early Bronze Age-

During this period the Minyan ware was found and it was brought by the indo European Greeks. It is a well made ware in a potter's wheel and is plain gray in color. It also has wide range of interesting shapes and sizes which was not found in the Stone Age.

3. Greek Pottery in the Late Bronze Age-

It was the Mycenean period and the Greeks started making designs on pottery. They made geometric shapes, humans, animals, sea creatures in cream colored background. The Greeks in the late Bronze Age made designs in black or red.

4. Greek Pottery in the Dark Age-

In this age the Mycenean civilization collapsed and so also the Mycenean pottery. People lost interest in the manufacturing of pottery. However this age also came to an end and people began manufacturing pots again. The pottery was made with circular drawings on it.

5. Greek Pottery in the Archaic Period-

In the 900 BC which is the archaic period the potters of Athens and Cornith regained their passion in pottery. In Cornith the artisans festooned miniature pots where the figures of mythical animals had been portrayed. The Athenians started painting mythological tales on their pottery and exclusive tales from Homer's Illiad.

6. Greek Pottery in Black Figure-

Gradually the clay pots of archaic period took a different picture as the focus shifted from shape of the pot to more and more scenes on it. A new style of painting developed and as a substitute of making human structures on the sketch, the potters now started to make natives in silhouette. The paintings were solely in black color.

7. Greek Pottery in Red Figure-

The Athenian potters in 500 BC, instead of painting the people black prepared the background of the pot black and made images on this black surface with red color. Though the painting was quite difficult the figures on the pot looked more realistic than ever. But 40 years hence the red figure Greek pottery also became extinct.

Greek pottery, as can be seen, went through many evolutionary stages giving us a wide variety of pottery ware, each unique in its own way.

Victor Epand is an expert consultant for pottery, antiques, and figurines. When shopping for pottery, antiques and figurines, we recommend only the best online stores for greek pottery, antiques , and figurines.

Tuesday, February 19, 2008

Dance: The Beautiful Art

475540388_8b41db4736_m It is natural to want to dance and move whenever we hear music. With the drum beat of a military march, we want to march in time; the smooth circles of a waltz have the power to make us feel like twirling forever; and a lullaby makes us lilt our bodies into sleep. Dance is a natural expression and is a natural response to music that is heard externally or sometimes but rarely, it is in resonance with the sounds of inner joy, to which only the individual is privy.

Most people wish to dance, or enjoy dancing. It is a feature in the life of most people throughout the world who reveal the differences in their culture through the different types of music and the different styles of dance movement they develop in their traditional art. There is a different between the dance of a country barn dance or western line-up with a country band and the rap dancing with its accompanying intonation and sounds; between the tap dancers metallic beat to a popular tune and the ballet dancers soft pointed feet describing the patterns of a classical piece; the passionate guitar and strong heel beats of a Spanish flamenco and the smooth swirls of an Austrian circular waltz to the strains of a violin.

Music provides the powerful influence which we seek to express in movement and dance. In addition, if our own emotions are moved, we can convey how we feel by injecting our emotions into our physical movements. If music uplifts us, we may dance but wish we could fly and the best we can do is to raise our arms and elevate our bodies from the floor as best we can. If the music on the other hand is sombre, we would rather dress in garments of grey and drop our heads to respond in heavy deliberate movements to show what the music intends.

For the professional dancer, it is music which dictates the mood and demands that a dancer surrenders his body to that music, not just for his own pleasure, but for the sake of a wider purpose. Then the dancer surrenders to music as if it were the conductor, as he seeks to make his body its complete or final instrument .The dancer can only surrender to the music if he wishes his body to serve to express its influence. To dance to a rhythm without conscious thought is a pure reaction - it is not an art.

Dancers are agents of the music - there to express something of the spirit of his inspiration of the composer. If we like the music we are asked to dance to, there is an easy relationship and harmony between the music, the source of it and our bodies. It is all in tune and the dancer can add the ingredient of his own intelligence and pour his feeling through his body language. If we are not attracted to the music then the dancer is a mere puppet. In the future, to use a dancer without him having conscious desire to express the music will be seen as dancer abuse! It is not a true and fine example of the art form at all unless music and dancer are as one.

If we hear discordant sound and it is the fashion to move to it, one must be very skilled or insensitive or perhaps both in wishing to express chaos and discord. Life's real discordant notes are only too well known in the reality of living without having to bold type it all. Modern times are difficult with little rhythm, melody or harmony in any popular music.

In discothèques the lighting makes jagged vibrations through the chaos and to a dancer who is sensitive to the loveliness and the harmonies of inspired music, it creates an atmosphere which is unintelligent, purposeless and insane. There can be no reason why such occasions are not banned because of the noise, so as to preserve the health and the hearing of everyone concerned. The brains of all who participate are damaged - to what extent, only the future will reveal. Participants do not deserve the name dancer but often are enslaved by drugs and the hypnotic drum beats.

Modern music is not harmonious. Therefore a dancer's body must become jerky and strained, stretched to an extreme tension, tested beyond its inherent strength, making demands which are acrobatic, exaggerated, unnatural and unattractive in the main. Beauty is the ingredient which is neglected, even forgotten. And in judging the result, anyone witnessing such movement to such music may gasp at techniques which extend the boundaries of body capabilities - but which leave the audience empty.

Music is best understood as food for the soul. This was and remains the classical approach to the art which was dedicated to either the purpose of delighting the listeners, telling a story, honouring a greater person, state, ideal , expressing a nation's spirit, or in spiritual dedication to religious worship and the glories of God. Music was an expression which served to enrich the listeners. At its best and most powerful, music can stir the spirits of thousands, who for a time experience the pleasure of a feeling of unity beyond the diversity in human life.

The dancer depends upon the music. Dance is music made visible!

Dance has always been a part of human culture and will no doubt remain so. In past eras, as in ancient Egypt, dancers were trained in the temples, dedicated to the gods, their art was sanctified and they were used within the powerful ritual which were used in ceremonies and outer rituals to involve the people and to amass group thought in prayer. In the ancient Indian traditions the temple dancers held also a place of respect and their music and dances were dedicated to the gods.

In ancient Greece and in fact, in all ancient civilizations, it was the same - there were the temple dances and there were the folk dances of the general populace.

In our western culture we have no such equivalent system which allows each to have its place. In fact in our Christian religion and worship there is no place and never one has been considered, for dancing.

So in our way of life, we are the poorer. We only have resort to the dancing of the masses - that which only expresses the spirit of the people - and this is always uninspired. But we have our classical music which has served to inspire many millions of people throughout the world. So in this, we have a 'conductor' but where are the dancers who can make their bodies instruments capable of expressing the exquisite sounds and spirit of such glorious arrangements of notes? There are thousands of dancers with skill but have they attunement to the spirit to fulfil the needs of the art?

There are many musicians trained in classical music and many dancers trained in classical dance. Surely they can support one another to act as twin arts in creating something really beautiful?

Michael Russell Your Independent guide to Dance

Introduction To Dance

865420800_057160e6ab_m Dance Dancing is generally considered an art because there are specific steps or foot movements that need to be observed and followed when one is dancing to a certain type of music. Grace as well as skill is essential for a professional dancer in their performances. Though not everyone is gifted with the elegance required in being a talented dancer, learning the basics in dancing is important since you never know when your terpsichorean competence is required. A number of people enjoy dancing as an outlet of releasing one's tensions after a hard day's work. There are individuals who go an extra mile in trying to learn a new dance step in order to be up-to-date with the latest dance crazes. Fortunately for those who want to learn, there are dance schools that offer formal as well as short courses in dancing. Everyday, new dance steps and choreography are being invented hence, the evolution of dancing continues.

Dancing can also be a form of exercise to burn unwanted fat away. Many exercise regimens today have incorporated dancing as part of their physical activities. The rationale behind such incorporation is that dancing utilizes almost all parts of the body leading to a healthy blood circulation within your body. By combining dancing with your daily exercise, you can enjoy yourself while keeping your body fit and trim.

Dance music refers to the musical compositions that accompany the performance of a dance. Music is an essential part of a dance as a dancer's movement and steps are executed to suit the rhythm or tempo of the musical arrangement. Perfect harmony in dancing is achieved when the dancer flawlessly moves in synchronism to the music that is being played.

The dance music is normally monikered the dance for which it was named after. At present, you have the following dances - the bolero, the cancan, the cha-cha, the fox-trot, the jitterbug, the mambo, the meringue, the minuets, the polka, the tango, the salsa, the swing, the twist, the waltz, folk dances, rock and roll, modern dance, among others. Aside from the music that accompanies the dancer, each dance boasts of having their respective trademark steps and movements that symbolizes the particular dance. Thus, just by looking at the foot works and the hand movements, you can easily identify what type of dance is being performed.

Costumes are likewise essential parts of a dance especially if one is dancing as a profession or when one is engaged in a competition. One should comply in wearing the proper costumes since you would want to avoid an accident while dancing. For example, if you were the female dancer, you would not want to slip on your flowing dress when dancing the tango or the swing. Keep in mind that although your dress or costume accentuates your dancing, it is best to put on something that is comfortable and suitable. Shoes are another consideration when dancing. You must use appropriate shoes that ideally fits your feet and will not hamper your movements.

To dance is an expression of one's individuality. There are many dance forms that you can try to your heart's content.
Michael Russell Your Independent guide to Dance

Tattoos - A History

1519805407_9601d2e7fd_m There was always an important role in ritual and tradition for tattoos. Women in Borneo used to tattoo symbols on their forearm indicating their particular skill. If a woman was to wear a symbol showing she was a skilled weaver, her status was then considered as prime marriageable material. To ward away illness tattoos were place around the wrist and fingers. All throughout the history of tattoos, they have signified membership in a clan or society. Even groups today, like the Hells Angels, tattoo their group symbol. It has sometimes been believed that the wearer of an image that was tattooed calls the spirit of that particular image. If that belief holds true, the ferocity of a tiger would belong to a person with a tiger tattoo. That tradition seems holds true even today shown by the images of tigers, snakes and bird of prey tattoo on a person's body.

The word tattoo is said to come from the Tahitian word "tatu" which means "to mark something". Tattooing has arguably been claimed to have existed since 12,000 years BC.

Tattooing's purpose has varied from culture to culture and its place on the time line. The earliest tattoos can be found in Egypt during the time of the construction of the great pyramids (It probably started much earlier) but this is the earliest recorded history. After the Egyptians expanded their empire, the art of tattooing began to spread as well. The ancient civilizations of Crete, Greece, Persia and Arabia picked up tattooing and expanded the art form. Around 2000 BC tattooing was then spread to China. For communications among spies, the Greeks used tattooing. Certain marking identified the spies and showed their rank. The Romans used tattoos to mark their criminals and slaves. This tradition continues even today. In western Asia girls coming of age were tattooed to show social standing, as were the married women.

The Ainu people of western Asia were known to show the Japanese the art of tattooing. It Japan tattooing was developed to be used in a religious and ceremonial rites. The women of Borneo were the tattooists. They were the one to produce designs that showed indications of the owner's station in life and what tribe he belonged to. New Zealand developed a facial style of tattooing that is still used today. It is called Moko. There are even tribes found in Alaska that practiced tattooing. Their style indicated that it was learned from the Ainu. There is even evidence that the Incas, Mayans and Aztecs used tattooing on rituals.

William Dampher is the one who is responsible for re-introducing tattoos to the west. He was once a sailor and an explorer who traveled the South Seas. In 1691 he brought a heavily tattooed Polynesian named Prince Giolo to London. He was known as the Painted Prince. He would later put on exhibition, a money making attraction showing off his tattoos and became the rage of London. Before that it had been 600 years since tattoos had been seen in Europe. It would be another 100 years before tattoos would make it's mark in the West.

Chatham Square in New York City was the birthplace of the American style tattoo. At the turn of the century, Chatham Square was a seaport and an entertainment center that attracted working-class people with money. Samuel O'Reily came from Boston and set up shop there. Samuel O'Reily was the first one to patent the first electric tattooing machine. The machine was based on Edison's electric pen which punctured paper with a needle point. The basic design of this machine was with moving coils, a tube and a needle bar, are the components of today's tattoo gun. The electric tattoo machine allowed anyone to get a reasonably priced and readily available tattoo. As the average person could easily get a tattoo but it was the upper classes that turned away from it. He took on an apprentice named Charlie Wagner and when O'Reily died in 1908, Wagner opened a supply business with Lew Alberts. Lew Alberts had trained as a wallpaper designer. He then transferred those skills to the design of tattoos. He was noted for redesigning a portion of early tattoo flash art.

It wasn't until the late 1960s that the attitude towards tattooing changed. A lot of the credit should go to Lyle Tuttle. He then tattooed celebrities, particularly women. Television and magazines went to him to get information about tattooing. Tattooing has made a strong comeback. It is more popular than ever.

Michael Russell Your Independent guide to Tattoos

Writing Hit Songs

377823448_1b058ceda8_m There are a lot of factors to writing a hit song. First, you should focus on writing a good song. Once you've done that, you are not far away from writing a hit.

Like most other things in life, it takes persistence, patience, drive, knowledge, belief and maybe some luck.

Stop and think about your favorite songs. Really analyze them and figure out what it is that you like about those songs.

Different factors may come to play here. Maybe it is the good beat, lyrics that hit home, a beautiful melody, something spiritual or patriotic, or maybe even that it is humorous.

If you include one of these elements in your songwriting you are well on your way. If you combine two or more of these elements, you may have yourself a hit.

A Good Beat

Rhythm is important in music. I have to laugh and think of Jerry Van Dyke on "The Dick Van Dyke Show" years ago trying to play the banjo and sing, "I've got rhy-rhy-thm, I've got mah-mah-music..."

But, unless you are very funny like Jerry Van Dyke, your audience is not very likely to stay with you.

Your music not only needs to have a good beat, but must fit the genre of music you are trying to write. A Metallica beat in a George Strait type song may not get you very far. A song with a good enough beat might be a hit even with no melody and no lyrics. Remember "Green Onions?"

Along with the beat is the tempo. Country music is easy to write (I did not say it is easy to write well) because it is about people's lives and everyday experiences. However, too often people write slow songs for country music, when in fact the industry is starving for upbeat country material like "Country Roads" and "Rocky Top." It is much harder to write a good up-tempo country song than it is a tear jerker.

Lyrics in popular music can range from broken relationships to political issues, and just about any point in between. Those that tend to be the most popular are about situations you and I may encounter in our everyday lives; "Workin' 9 To 5," "I Just Called To Say I Love You," "Your Cheatin' Heart," "God Bless The USA" (which ingeniously incorporates spiritual, political and patriotic views).

A beautiful or interesting melody can get you into the ranks of hit songwriter with no lyrics required. Going back in time to prove a point about beautiful melodies, you might consider songs like "Last Date" and "Sleepwalk."

Songs with great melody lines are very easy to be found in many hit TV show themes like "Peter Gunn," "Hawaii 5-0," along with many of the 60's surfer songs like "Wipe Out."

Well done humorous songs usually find an audience, such as Ray Stevens "The Streak," and Jerry Reeds "She Got The Goldmine, I Got The Shaft." If you have a knack for both humor and music, you might make a fortune.

Spiritual and patriotic songs, if they are well done and come out at the right time, are easy hits. Every time the U.S. gets involved in any type of world conflict, the songwriters get their pens out.

Keep your ears and eyes open, and keep a shoe box to put your ideas for songs in. Every time you think of an idea for a song or a song title, write it down and drop it in the box. It could be your first, or your next, big hit.

Michael Russell Your Independent guide to Entertainment

Add to Google Reader or Homepage